“But now I’m thirty-five; and I couldn’t love you if I tried.” She shook her curls at him. “It isn’t your fault. It is that I have changed. Suppose I’d married you?” A motor carried them to where the road ended, and from there, a little one-horse ambulance took them on to almost the last trees of the forest. There was no life to be seen anywhere. During the last mile, they had passed through a continuous double line of graves; here and there a group of tiny crosses keeping one another company; others standing singly, looking strangely lonesome amid the torn-up earth and shattered trees. But even these had ceased. Death itself seemed to have been frightened away from this terror-haunted desert.!

A middle-aged sergeant, who had a wound in the stomach and was sitting up in his bed, looked across. “There was a line of Germans came upon us,” he said, “at Bras. I thought I must be suffering from a nightmare when I saw them. They had thrown away their rifles and had all joined hands. They came dancing towards us just like a row of ballet girls. They were shrieking and laughing, and they never attempted to do anything. We just waited until they were close up and then shot them down. It was like killing a lot of kids who had come to have a game with us. The one I potted got his arms round me before he coughed himself out, calling me his ‘liebe Elsa,’ and wanting to kiss me. Lord! You can guess how the Boche ink-slingers spread themselves over that business: ‘Sonderbar! Colossal! Unvergessliche Helden.’ Poor devils!” “I’ll tell you who makes all the wars,” he said. “It’s you and me, my dears: we make the wars. We love them. That’s why we open our mouths and swallow all the twaddle that the papers give us; and cheer the fine, black-coated gentlemen when they tell us it’s our sacred duty to kill Germans, or Italians, or Russians, or anybody else. We are just crazy to kill something: it doesn’t matter what. If it’s to be Germans, we shout ‘A Berlin!’; and if it’s to be Russians we cheer for Liberty. I was in Paris at the time of the Fashoda trouble. How we hissed the English in the cafés! And how they glared back at us! They were just as eager to kill us. Who makes a dog fight? Why, the dog. Anybody can do it. Who could make us fight each other, if we didn’t want to? Not all the king’s horses and all the King’s men. No, my dears, it’s we make the wars. You and me, my dears.”

In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “Yes, but he didn’t bring her up to London,” answered the child. “Mama would have wanted to come; and Papa would have let her, and wouldn’t have gone to see Queen Elizabeth unless she had been invited too.” “There’s a chemist’s shop in the next street. We’d better take him there,” suggested the one who had first spoken to her. And she thanked them and followed them.